![]() ![]() In a RAW file, bit refers to how many colors the image contains. One RAW file isn’t always equal to the other - the difference between the options lies in the color bits.Ī bit is a techie term for storage. Once those adjustments are made, the image can be edited will all of Photoshop®’s usual tools.īe careful though - some RAW photo editors may be reducing the RAW file’s color bit range automatically while opening the file. This is a like a mini-Photoshop® that holds all the different controls available specifically for a RAW file, including exposure, white balance and sharpening. ![]() When opening a RAW file in Photoshop®, the program will first open Adobe® Camera RAW. Lightroom® can edit (and organize) RAW files directly. Lightroom® and Photoshop® are two of the most popular RAW editors. Adobe offers a free conversion program, Adobe® DNG, exactly for that purpose. So, if you are shooting with a brand new camera, or if you are using an older version of Photoshop®, you can convert your files to DNG. Software that can edit RAW will always be able to edit a DNG file. But, if you pick up a camera just a few days after it was first release, your software might not be compatible with those files yet.Ī DNG is a universal RAW file type. Programs like Lightroom® and Photoshop® are often quick to add compatibility to RAW files from the latest cameras. Even within the same brand, the newest models may have a slightly different file type than older models. NEF after each image, while Canon shooters will see. (If you’re not sure what your current photo editor can handle, shoot in RAW + JPEG the first time you try out RAW).Įvery camera brand shoots RAW files a bit differently. Not every photo editor can edit in RAW, but most advanced platforms can. Because RAW files take more time to record, sometimes photographers revert back to JPEG to get the most speed from their gear. But, cameras can’t shoot as many RAW files in a row as they can with JPEG. Many modern cameras can shoot RAW files just as fast as JPEG - the maximum burst speed won’t change. That means they take up more space on your memory card and hard drive, but one of the biggest downfalls is recording all that data takes more time than shooting a JPEG. That means the image hasn’t been sharpened, and if you shot in black and white mode, you still have all the color data inside that RAW shot.īesides adding another step to the process, why doesn’t every photographer use RAW every time? RAW files are much larger than a JPEG image. RAW files contain more data because the camera hasn’t yet applied any of it’s own adjustments to the file. Unlike a JPEG, you can’t immediately pull a RAW file off your camera and upload it to your favorite social network or take it to a printer. For example, a photographer can add more contrast to a RAW photograph by adjusting the highlights, lights, shadows and dark areas of an image separately. And along with making minor image corrections, RAW files can be adjusted to settings that aren’t adjustable in the camera. ![]() Exposure errors can be corrected with more accuracy than using a JPEG file. Correcting the white balance on a RAW file doesn’t harm the integrity of the shot. ![]() With so much more data than a JPEG, RAW files open up more possibilities during post processing. Because RAW files contain more data, they have a wider range of possibilities inside Adobe® Photoshop® CC, Adobe® Lightroom® CC or another image editor. A RAW file is unprocessed, but it also contains more data than a traditional JPEG.
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